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Past-19-Seattle Art Fair

 

Blue crystals revisited no.12 ,2019,Acrylic Ink, Acrylic Paint, Mica Powder, Shellac on Canvas, 60”x 36”.  Vertical abstract painting with splashed cloud-like forms of blue and tan dominate a white canvas with red circle and rectangular shapes.

Janet Filomeno, Blue Crystals Revisited No.12, 2019, Acrylic Ink, Acrylic Paint, Mica Powder, Shellac on Canvas, 60”x 36”

Blue crystals revisited no.14 ,2019,Acrylic Ink, Acrylic Paint, Mica Powder, Shellac on Canvas, 60”x 36”.  Vertical abstract painting with splashed cloud-like forms of blue and white dominate a white canvas with yellow splashes, three red dots and red rectangles throughout.

Janet Filomeno, Blue Crystals Revisited No.14, 2019, Acrylic Ink, Acrylic Paint, Mica Powder, Shellac on Canvas, 60”x 36”

Blue Crystals Revisited no.15 ,   2019, Acrylic Ink, Acrylic Paint, Mica Powder, Shellac on Canvas, 60”x 36”.  Vertical abstract painting with splashed cloud-like forms of blue and white dominate a white canvas with nine red rectangles throughout.

Janet Filomeno, Blue Crystals Revisited No.15, 2019, Acrylic Ink, Acrylic Paint, Mica Powder, Shellac on Canvas, 60”x 36”

 
Evening (edition 4 of 10),  2016  ,   Chemigram, 29.5” x 25.5”(Framed) 20” x 16” (Wo/Frame).  Abstract landscape photographic print of green grass and thin gray tree branches, red flowers on the horizon with blue and pink sky.
 

Nolan Preece, Evening (edition 4 of 10), 2016, Chemigram, 29.5” x 25.5”(Framed) 20” x 16” (Wo/Frame) (SOLD)

 
Fall at Moss Creek   ,   2019, Chemigram, 29.5” x 25.5”(Framed) 20” x 16” (Wo/Frame).  Abstract landscape photographic print of brown rocks with green moss in the foreground, yellow trees with thin branches on the horizon with light green sky.
 

Nolan Preece, Fall at Moss Creek, 2019, Chemigram, 29.5” x 25.5”(Framed) 20” x 16” (Wo/Frame)

 
Charwood (SOLD)   ,   2019, Chemigram, 29.5” x 25.5”(Framed) 20” x 16” (Wo/Frame).  Abstract landscape photographic print of green grass, brown tree trunk and yellow branches throughout in thinly fragmented shapes.
 

Nolan Preece, Charwood, 2019, Chemigram, 29.5” x 25.5”(Framed) 20” x 16” (Wo/Frame) (SOLD)

 
Garden  (Edition 3 of 10), 2017, 29.5” x25.5”(Framed)20” x 16” (Wo/Frame) Chemigram.  Abstract landscape photographic print of river, trees and sun in thinly fragmented shapes in black and gold color.
 

Nolan Preece, Garden (Edition 3 of 10), 2017, Chemigram, 29.5” x 25.5”(Framed)20” x 16” (Wo/Frame)

 
Pool  (Edition 3 of 10), 2017, 29.5” x 25.5”(Framed)20” x 16” (Wo/Frame)Chemigram.  Abstract landscape photographic print of pool. Water in blue at the center, surrounded by brown and black thinly fragmented pieces of land.
 

Nolan Preece, Pool (Edition 3 of 10), 2017, Chemigram, 29.5” x 25.5”(Framed)20” x 16” (Wo/Frame)

 
Arroyo  (Edition 5 of 10)  (SOLD),  2017, 29.5” x 25.5”(Framed)20” x 16” (Wo/Frame) Chemigram.  Abstract landscape photographic print of gray and brown lands. White and yellow sky in the background.
 

Nolan Preece, Arroyo (Edition 5 of 10), 2017, Chemigram, 29.5” x 25.5”(Framed)20” x 16” (Wo/Frame) (SOLD)

 
Blue Lilies,  2018 ,      Oil on Canvas, 14”x 11”.  White and blue lilies with green background.
 

Lucy Chen, Blue Lilies, 2018, Oil on Canvas, 14”x 11”

 
Cockscomb , 2018, Oil on Canvas, 14”x 11”.  White abstract cockscombs with green stems and blue background.
 

Lucy Chen, Cockscomb, 2018, Oil on Canvas, 14”x 11”

 
Purple Daffodil , 2018, Oil on Canvas, 14”x 11”.  Purple daffodil with green stem and tan background.
 

Lucy Chen, Purple Daffodil, 2018, Oil on Canvas, 14”x 11”

 
Stella , 2018, Oil on Canvas, 25.7”x 21”.  Abstract painting with a red-haired child-like figure in the center, blue fragmented shapes and yellow stars throughout the background.
 

Kiyoka Yamagata, Stella, 2018, Oil on Canvas, 25.7”x 21”

 
Melody,      Oil on Canvas, 25.7”x 21”.  Abstract painting with a cat playing guitar, bird on the foreground. Sun on the upper left corner with pink and yellow clouds, in a blue background.
 

Kiyoka Yamagata, Melody, Oil on Canvas, 25.7”x 21”

 
Overture,  2017,   Oil on Canvas, 25.7”x 21”.  Abstract painting with a child-like figure in the center walking. Green, purple blue alley in the center and bright pink background.
 

Kiyoka Yamagata, Overture, 2017, Oil on Canvas, 25.7”x 21”

 
The wild that shakes the green , 2014, Oil on Canvas, 25.7”x 21”.  Abstract painting with a child-like figure and cat, birds. Grass on the foreground, a white house and pink sky in the background.
 

Kiyoka Yamagata, The wild that shakes the green, 2014, Oil on Canvas, 25.7”x 21”

 
Beyond to Hill , 2016,   Oil on Canvas, 31.8” x 51.3”.  Abstract landscape painting with purple flowers, green leaves in the foreground, red trees on the horizon and pink, red sky.
 

Kiyoka Yamagata, Beyond to Hill, 2016, Oil on Canvas, 31.8” x 51.3”

Blue Faeries , 2017, Mixed Collage on Canvas, 36" x 60”.  Treescape with white and brown tree trunks in blue background.

Lauren Worth, Blue Faeries, 2017, Mixed Collage on Canvas, 36" x 60”

BABA Blue , 2017, Mixed Collage on Canvas, 36” x 48”.  Treescape with tree trunks and leaves. Green dominating with green and yellow leaves.

Lauren Worth, BABA Blue, 2017, Mixed Collage on Canvas, 36” x 48”

Trunk Show I, II, III , 2017, Mixed Collage on Canvas, 36” x 48”.  3 vertical panels of treescape with brown tree trunks, green leaves with blueish gray background.

Lauren Worth, Trunk Show I, II, III, 2017, Mixed Collage on Canvas, 36” x 48”

TREE SPIRITS VII , on Paper,  30" x 23.5”.  Vertical collage of treescape with branches, flowers, and leaves. Brown trees and green leaves, purple and red flowers on light green background.

Lauren Worth, TREE SPIRITS VII, on Paper, 30" x 23.5”

TREE SPIRITS VIII , 2019, on Paper, 30" x 23.5”.  Vertical collage of treescape with tree trunks, flowers and leaves. Brown trees and green leaves, orange and blue flowers on green background.

Lauren Worth, TREE SPIRITS VIII, 2019, on Paper, 30" x 23.5”

 
The Good Humor Man  (Behind the Eight Ball),2019, 33.75” x 28” x 2”, Acrylic on Canvas.  Abstract portraiture of a man with fragmented shapes on cheeks, nose and chin, smoking a cigarette. Purple dominating with green,blue, yellow colors on purple background.
 

Edmund Ian Grant, The Good Humor Man (Behind the Eight Ball),2019, Acrylic on Canvas, 33.75” x 28” x 2”

 
Bonsoir Paris , 2019, 24" x 18.5”, Acrylic on Canvas.  Abstract portraiture of a Parisian woman smoking a cigarette. Blue, red, yellow on the face and the Eiffel tower on purple background.
 

Edmund Ian Grant, Bonsoir Paris, 2019, Acrylic on Canvas, 24" x 18.5”

 
The Fisherman Catch of the Day, 2019, 18" x 14” x 1 1/2” Acrylic on Canvas.  Abstract portraiture of a man with triangular shapes on cheeks, nose and chin, smoking a cigarette. Blue dominating with yellow, green, red, black on blue background.
 

Edmund Ian Grant,The Fisherman Catch of the Day,2019, Acrylic on Canvas, 18" x 14” x 1 1/2”

Conflict of Interest , 2019, 150” x 23.75” x 3/4”Digital on Aluminum (Limited edition 3/25).  Abstract portraiture of a man in oval face in the center,purple, orange, gray background.

Edmund Ian Grant, Conflict of Interest (Limited edition 3/25), 2019, Digital on Aluminum, 150” x 23.75” x 3/4”

 
A Palooka , 2019, 18" x 14” x 1 1/2” Acrylic on Canvas.  Abstract portraiture of a man with triangular shapes on cheeks and nose, smoking a cigarette. Green dominating with tan and red color on black background.
 

Edmund Ian Grant, A Palooka, 2019, Acrylic on Canvas, 18" x 14” x 1 1/2”

Pacific Gas and Destruction ,2019,48” x 25.5” x 3/4” Digital on Aluminum (Limited edition 4/25).  Abstract portraiture of a man with a top hat, smoking a cigarette. Black and white dominating with red, yellow, blue.

Edmund Ian Grant, Pacific Gas and Destruction(Limited edition 4/25), 2019, Digital on Aluminum, 48” x 25.5” x 3/4”

Jazzland ,2019, 36" x 24” x 3/4”Digital on Aluminum (Limited edition 2/25).  Abstract portraitures of 3 people in a circle. Purple and black dominating with red background.

Edmund Ian Grant, Jazzland(Limited edition 2/25), 2019, Digital on Aluminum, 36" x 24” x 3/4” Digital on Aluminum

Into the Grasslands, 2019 , 60” x 36”,Ink, art papers, foil and photography on canvas.  Abstract drawing and photography of blowing grasses with green, bronze and golden circles.

Meighen Jackson, Into the Grasslands, 2019, Ink, Art Papers, Foil and Photography on Canvas, 60” x 36”

 
Paper River Landing  (7 panels), 2017, 24” x 5” x 3”  (SOLD), Ink, art papers, photography and foil on canvas.  Abstract drawing and photography of reeds with green, gold and white stripes and circles.
 

Meighen Jackson, Paper River Landing (7 panels), 2017, Ink, Art Papers, Foil and Photography on Canvas, 24” x 5” x 3” (SOLD)

 
Jacob’s Marsh  (7 panels), 2013, 24” x 5” x 3”,Ink, art papers and foil on canvas.  7 panels of abstract photography and drawing based on marsh grasses.
 

Meighen Jackson, Jacob’s Marsh (7 panels), 2013, Ink, Art Papers, Foil and Photography on Canvas, 24” x 5” x 3”

Dream II ,2001, Acrylic on Canvas, 77”x49”.  Vertical colorfield abstraction with blue dominating with white rectangle on upper middle and dark blue river running through middle.

H.A.Sigg, Dream II,2001, Acrylic on Canvas, 77”x49”

The Small Sign I , 2013, 67” x 35”, Acrylic on Canvas.  Vertical colorfield abstraction with blue dominating with dark blue river running through middle, white and black stripes on the lower part.

H.A.Sigg, The Small Sign I, 2013, Acrylic on Canvas, 67” x 35”,

 
Untitled #2 , 2001, 3.5” x 7.5”, Acrylic on Paper.  Horizontal colorfield abstraction on paper with blue dominating, white rectangle in the center and dark black river running through.
 

H.A.Sigg, Untitled #2, 2001, Acrylic on Paper, 3.5” x 7.5”

 
Untitled #2 , 1997,4” x 10”, Acrylic on Paper.  Horizontal colorfield abstraction on paper with dark blue, burgundy, black and green color, black river running through middle.
 

H.A.Sigg, Untitled #3, 1997, Acrylic on Paper, 4” x 10”

 
Untitled #5 , 1997, 10” x 9”, Acrylic on Paper.  Vertical colorfield abstraction on paper with Burgundy and black panels, blue and black river running through middle.
 

H.A.Sigg, Untitled #5, 1997, Acrylic on Paper., 10” x 9”

Untitled #6 , 2001, 10" x 6”, Acrylic on Paper.  Vertical colorfield abstraction on paper with Burgundy dominating and white rectangle in the middle, black river running through and blue rectangle on the lower part.

H.A.Sigg, Untitled #6, 2001, Acrylic on Paper, 10" x 6”

 
Times of Our Lives , 12” x 12”, Imprints relief paintings on wood panel.  woodblock print-like painting with a closeup view of a man in a hat, looking to the right side. Thick black outlines on the figure, yellow and purple background.
 

Lucinda Luvaas, Times of Our Lives, Imprints Relief Paintings on Wood Panel, 12” x 12”

 
Times of Our Lives , 12” x 12”, Imprints relief paintings on wood panel.  woodblock print-like painting of a beach. Thick black outlines on three figures, brown sand in the foreground, blue ocean horizon and tan sky.
 

Lucinda Luvaas, Times of Our Lives, Imprints Relief Paintings on Wood Panel, 12” x 12”

 
Times of Our Lives , 12” x 12”, Imprints relief paintings on wood panel.  woodblock print-like painting of close-up views of two women. Thick black outlines of the figures and background. Tan foreground and green background.
 

Lucinda Luvaas, Times of Our Lives, Imprints Relief Paintings on Wood Panel, 12” x 12”

 
Times of Our Lives , 12” x 12”, Imprints relief paintings on wood panel.  woodblock print-like painting of closeup view of a woman. Thick black outlines on the figure and background. Blue color on the foreground and orange background.
 

Lucinda Luvaas, Times of Our Lives, Imprints Relief Paintings on Wood Panel, 12” x 12”

 
Times of Our Lives , 12” x 12”, Imprints relief paintings on wood panel.  woodblock print-like painting of back views of three figures. Thick black outlines on the figure. yellow, orange, red on the foreground and blue background
 

Lucinda Luvaas, Times of Our Lives, Imprints Relief Paintings on Wood Panel, 12” x 12”

 
Times of Our Lives , 12” x 12”, Imprints relief paintings on wood panel.  woodblock print-like painting of crowds on a street. Thick black outlines on the figures and background. Red color on the foreground, green background.
 

Lucinda Luvaas, Times of Our Lives, Imprints Relief Paintings on Wood Panel, 12” x 12”

 
Times of Our Lives , 12” x 12”, Imprints relief paintings on wood panel.  woodblock print-like painting of back views of two people. Thick black outlines on the figures. Orange and green background.
 

Lucinda Luvaas, Times of Our Lives, Imprints Relief Paintings on Wood Panel, 12” x 12”

 
Times of Our Lives , 12” x 12”, Imprints relief paintings on wood panel.  woodblock print-like painting of two people looking at each other. Thick black outlines on the figures. green, gray, blue background.
 

Lucinda Luvaas, Times of Our Lives, Imprints Relief Paintings on Wood Panel, 12” x 12”

 
Open Doorways , 15” x 20”, Mixed Media on Matte Duralar.  Blue French doorways with pink flowers and yellowish green background
 

Lucinda Luvaas, Open Doorways, Mixed Media on Matte Duralar, 15” x 20”

 
Almost Spring(SOLD),  Imprints relief painting on wood panel using oil, wax, gel, 40” x 30”.  Woodblock print-like painting with black background portraying shapes of figures and trees. Tannish foreground, green and blueish horizon.
 

Lucinda Luvaas, Almost Spring(SOLD), Imprints Relief Painting on Wood Panel Using Oil, Wax, Gel, 40” x 30”

Prima Vera  (SOLD),  Mixed Media, 30” x 22”. Woodblock print-like forest landscape with a woman. greens, gray blues and rust reds for trees and path.

Lucinda Luvaas, Prima Vera, Mixed Media, 30” x 22” (SOLD)

Proof,  Sumi Ink, Oil and Graphite on Canvas, 60” x 30”.  Vertical abstract painting with Earth tones, blue-green, beige, gray, multitude of intersecting freeform shapes and black curved lines.

Shakti Kroopkin, Proof, Sumi Ink, Oil and Graphite on Canvas, 60” x 30”

Inside the Cocoon 1 , 2018, 60" x 36", Sumi Ink, Oil and Graphite on Canvas.  Vertical abstract painting with a wide range of vivid tones, blue, green, pink, orange, beige. Intersecting freeform shapes, black, floating curved lines.

Shakti Kroopkin, Inside the Cocoon 1, 2018, Sumi Ink, Oil and Graphite on Canvas, 60" x 36"

Inside the Cocoon 2 , 2018, 60" x 36", Sumi Ink, Oil and Graphite on Canvas.  Vertical abstract painting with a wide range of vivid tones, blue, green, pink, orange, beige. Intersecting freeform shapes, black, floating curved lines.

Shakti Kroopkin, Inside the Cocoon 2, 2018, Sumi Ink, Oil and Graphite on Canvas, 60" x 36"

Your Number(SOLD) , 2017 ,  15.7” x 8”, Oil on Canvas.  Female abstract nordic portraiture with palette-like face and hair, expressionist facial tones, eyes, mouth in bright blue background

Soile Yli-Mayry, Your Number, 2017, Oil on Canvas, 15.7” x 8” (SOLD)

 
Asphalt Dream , 2013, 43” x 55”, Oil on Canvas.  Two female abstract nordic portraitures with palette-like faces, hair, bodies. Expressionist facial tones, eyes, mouth with animated animals and cars on yellow, green, pink background.
 

Soile Yli-Mayry, Asphalt Dream, 2013, Oil on Canvas, 43” x 55”

Burning Fire(SOLD) ,2017 ,  16” x 8”, Oil on Canvas.  Female abstract nordic portraiture with palette-like face, expressionist facial tones, eyes, mouth with bright pink background

Soile Yli-Mayry, Burning Fire, 2017, Oil on Canvas, 16” x 8” (SOLD)

 
Dream Ash , 2010, 44” x 55”, Oil on Canvas.  Female abstract nordic portraitures with palette-like face, hair, body. Expressionist facial tones, eyes, mouth on bright blue background.
 

Soile Yli-Mayry, Dream Ash, 2010, Oil on Canvas, 44” x 55”

 
Life in Glass Cabinet ,Oil on Canvas, 39” x 51”.  Female abstract nordic portraitures with palette-like face, hair and body. Expressionist facial tones, eyes and mouth on bright pink and red background.
 

Soile Yli-Mayry, Life in Glass Cabinet,Oil on Canvas, 39” x 51”

Asphalt Heart (SOLD)  ,2017, 15.7” x 8”  Oil on Canvas .   Female abstract Nordic portraiture with palette-like face and hair, expressionist facial tones, eyes, mouth with bright yellow background

Soile Yli-Mayry, Asphalt Heart, 2017, Oil on Canvas, 15.7” x 8” (SOLD)

 
Asphalt Pearl , 2018, 33.5” x 27.6”, Oil on Canvas.  Line abstract female nordic portraitures ,yellow background , abstract car.
 

Soile Yli-Mayry, Asphalt Pearl, 2018, Oil on Canvas, 33.5” x 27.6”