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Past 19-12-Art Now Fair

 

Lilies, 2013-2015, Ink on paper with collage, 18” x 18”.Green vase yellow flowers in green room viewing painting of two white horses.

Marian Bingham, Lilies, 2013-2015, Ink on paper with collage, 18” x 18”

Daisies, 2013-2015, Ink on paper with collage, 18” x 18”.Two flowers with red, white and black sky.

Marian Bingham, Daisies, 2013-2015, Ink on paper with collage, 18” x 18”

 
Marian Bingham, Jewel Weed, 2019, Monotype, 18” x 18”.Green vase yellow desk in orange room viewing painting of a red horse.
 

Marian Bingham, Jewel Weed, 2019, Monotype, 18” x 18”

 
Ethel Gittlin, Always, 2019, Chrome Base,Spraypaint/Oil on Wood Resin, 24” x 24”.Grattifi-like abstraction painting with letters ALWAYS, Purple, blue, black, orange spray-paint like strokes on purple background.
 

Ethel Gittlin, Always, 2019, Chrome Base,Spraypaint/Oil on Wood Resin, 24” x 24”

 
Ethel Gittlin, Mercy, 2019, Chrome Base,Spraypaint/Oil on Wood Resin, 24” x 24”.Grattifi-like abstraction painting with letters MERCI, Blue, pink red spray-paint like strokes on grey background.
 

Ethel Gittlin, Mercy, 2019, Chrome Base,Spraypaint/Oil on Wood Resin, 24” x 24”

 
Believe in Magic, 2019, Chrome Base,Spraypaint/Oil on Wood Resin, 24” x 24”.Grattifi-like abstraction painting.Letters and marks in yellow, red, green spray-paint like strokes on white background.
 

Ethel Gittlin, Believe in Magic, 2019, Chrome Base,Spraypaint/Oil on Wood Resin, 24” x 24”

Bill Jackson, Underpass Angel, 2017, Photography/Pigment Print, 38” x 27”(framed).Photography of arched doors .

Bill Jackson, Underpass Angel, 2017, Photography/Pigment Print, 38” x 27”(framed)

Waiting for Persephone, 2017, Photography/Pigment Print, 38” x 30”(framed).Photography of arched doors with light and shadow casting on.

Bill Jackson, Waiting for Persephone, 2017, Photography/Pigment Print, 38” x 30”(framed)

Dawn, 2014, Photography/Pigment Print, 30” x 40”.Abstract photography with strong contract of straight dark lines with the light pink and white background.

Bill Jackson, Dawn, 2014, Photography/Pigment Print, 30” x 40”

The Hidden Secrets of Trees #7, 2018, Mixed Media Collage on Paper, 50” x 38”.Abstract and colorful shapes, different kinds of leaves and hexagons in yellows, blues and greens.

Mally Khorasantchi, The Hidden Secrets of Trees #7, 2018, Mixed Media Collage on Paper, 50” x 38”

The Hidden Secrets of Trees #8, 2018, Mixed Media Collage on Paper, 50” x 38”.Abstract and colorful painting of shapes, leaves in yellows, blues and greens with collage of different trees’ photos.

Mally Khorasantchi, The Hidden Secrets of Trees #8, 2018, Mixed Media Collage on Paper, 50” x 38”

 
Faked News#2, 2017, Mixed Media Collage on Canvas, 60” x 48”.Abstract and colorful shapes, different kinds of leaves and flowers in multi colors like pinks, blues and greens with a row of hexagons at the right side of painting.
 

Mally Khorasantchi, Faked News#2, 2017, Mixed Media Collage on Canvas, 60” x 48”

Force 5 Series 1.1, 2013, Acrylic and Graphite on Strathmore Paper, 20" x 20”.Square abstract painting with multi layers of white and yellow color with the calligraph in the middle.

Dennis Kleidon, Force 5 Series 1.1, 2013, Acrylic and Graphite on Strathmore Paper, 20" x 20”

Making Waves Vertical Series 1.2, 2013, Acrylic and Graphite on Arches Paper, 29.5” x 23”.Abstract white background painting with multi layers of multiple colors with the calligraph in the middle.

Dennis Kleidon, Making Waves Vertical Series 1.2, 2013, Acrylic and Graphite on Arches Paper, 29.5” x 23”

 
Force 5 Series 1.5, 2013, Acrylic and Graphite on Strathmore Paper, 20" x 20”.Square abstract painting with multi layers of black and orange color with the calligraph in the middle.
 

Dennis Kleidon, Force 5 Series 1.5, 2013, Acrylic and Graphite on Strathmore Paper, 20" x 20”

 
Taliesin Unleashed 1, 2019, Acrylic on Canvas, 49.5” x 37.5”.Abstract painting with multi layers, different sized blue rectangles at upper part of textured background with the colorful calligraph like blue, white and orange in the middle.
 

Dennis Kleidon, Taliesin Unleashed 1, 2019, Acrylic on Canvas, 49.5” x 37.5”

 
Taliesin Unleashed 3, 2019, Acrylic on Canvas, 49.5” x 37.5”.Abstract painting with multi layers, different sized blue rectangles at lower part of textured background with the colorful calligraph like blue, white and orange in the middle.
 

Dennis Kleidon, Taliesin Unleashed 3, 2019, Acrylic on Canvas, 49.5” x 37.5”

Alpha Romeo, 1979, Serigraph, 22” x 22”.Serigraph of a red car with background half yellow and half blue.

Phyllis Krim, Alpha Romeo, 1979, Serigraph, 22” x 22”

Duesenberg, 1978, Serigraph, 22” x 22”.Serigraph of a car with blue and green background .

Phyllis Krim, Duesenberg, 1978, Serigraph, 22” x 22”

Chrysler Black Hawk, 1985, Digital Print, 30” x 30.5”.Serigraph of front side of a red car .

Phyllis Krim, Chrysler Black Hawk, 1985, Digital Print, 30” x 30.5”

Evening, 2016, Chemigram, 20”x16”.Abstract landscape photographic print of green grass and thin gray tree branches, red flowers on the horizon with blue and pink sky.

Nolan Preece, Evening, 2016, Chemigram, 20”x16”

Garden (Edition 3 of 10), 2017, Chemigram, 20”x16”.Abstract landscape photographic print of river, trees and sun in thinly fragmented shapes in black and gold color.

Nolan Preece, Garden (Edition 3 of 10), 2017, Chemigram, 20”x16”

Sunset (Edition 7 of 10), 2016, Chemigram, 20”x16”.Abstract landscape photographic print of pink sky, with sun and trees in thinly fragmented shapes in black and grey color.

Nolan Preece, Sunset (Edition 7 of 10), 2016, Chemigram, 20”x16”

The Course of the Rivers II, 2010, Acrylic on Canvas, 46” x 32”.Vertical colorfield abstraction on paper with red dominating rectangle, black and white river running through and red rectangle on the lower part.

H.A.Sigg, The Course of the Rivers II, 2010, Acrylic on Canvas, 46” x 32”

 
Untitled #4, 2010, Acrylic and Collage on Paper, 9.5” x 14.5”.Vertical colorfield abstraction on paper with black dominating, red and white panels in the middle, black and blue river running through.
 

H.A.Sigg, Untitled #4, 2010, Acrylic and Collage on Paper, 9.5” x 14.5”

 
Untitled #1, 1998, Acrylic and Collage on Paper, 11” x 15”.Vertical colorfield abstraction on paper with black dominating, green and white rectangle and blue trapezoid in the middle, black river running through.
 

H.A.Sigg, Untitled #1, 1998, Acrylic and Collage on Paper, 11” x 15”

Straylight, 1983, Oil on linen, 47” x 70”.monochromatic reflected stream pool in blue with shimmering tree reflections in brown.

Ralph Wickiser, Straylight, 1983, Oil on linen, 47” x 70”

Into the Eddy, 1981, Oil on linen, 47” x 70”.Monochromatic reflected stream pool in brown with shimmering leaves reflections in green, yellow, white and red.

Ralph Wickiser, Into the Eddy, 1981, Oil on linen, 47” x 70”

Burning Fire, 2017, Oil on Canvas, 16” x 8”.Female abstract nordic portraiture with palette-like face, expressionist facial tones, eyes, mouth with bright pink background

Soile Yli-Mayry, Burning Fire, 2017, Oil on Canvas, 16” x 8”

Dream Bridge, 2018, Oil on Canvas, 15.7” x 8”.Female abstract nordic portraiture with palette-like face, expressionist facial tones, eyes, mouth with blue background

Soile Yli-Mayry, Dream Bridge, 2018, Oil on Canvas, 15.7” x 8”

Asphalt Pearl, 2018, Oil on Canvas, 33.5” x 27.5”.

Asphalt Pearl, 2018, Oil on Canvas, 33.5” x 27.5”.

Soile Yli-Mayry, Asphalt Pearl, 2018, Oil on Canvas, 33.5” x 27.5”

Blue Lilies, 2018, Oil on Canvas, 14” x 11”.White and blue lilies with green background.

Lucy Chen, Blue Lilies, 2018, Oil on Canvas, 14” x 11”

Cockscomb, 2018, Oil on Canvas, 14” x 11”.White abstract cockscombs with green stems and blue background.

Lucy Chen, Cockscomb, 2018, Oil on Canvas, 14” x 11”

Purple Daffodil, 2018, Oil on Canvas, 14” x 11”.Purple daffodil with green stem and tan background.

Lucy Chen, Purple Daffodil, 2018, Oil on Canvas, 14” x 11”